For the 'Life is Hell' challenge over on terribleminds.com
SWINGING DOWN THE LANE
SWINGING DOWN THE LANE
Over the dusty, azure horizon scampers a guy in a
baseball jersey who died last night. Lips
taught, teeth clenched, fists pumping, he swings madly down the blue sand as big
band swing booms overhead. He glances back frequently at the dust devils kicking
up behind him.
Countless oddities pour
over the dune: dump truck-sized white buffalos, trilobite faced spearmen, pygmy
dragons spitting pyroclastic vomit, nuclear-fried skeletal salesmen, anorexics
with distended jaws, obese, naked lepers, preemies in party hats, lumbering pink
slime colossi, centaurs in leotards, bipedal pigs with crowbars.
The swing music makes
it seem like one big dance.
Two screaming steam
locomotives on centipede legs try crushing him. Scarified volleyballers on polyurethane
and palm leaf wings dive at him. A guillotine blade thrown like a Frisbee
misses him as he retreats from knights on goatback tossing Greek fire filled disco
balls.
The music quickens
tempo, spurring the horde. He’s exhausted, bathed in sweat beads the size of
immature grapes. He can’t remember why he can’t remember his past, but the
hacking and wheezing imply a lifetime of slothfulness and cigarettes.
“WHAT THE HELL, MAN!?”
he screams over his shoulder.
In the blue sand, black
rocks appear. Pterodactyl-sized pigeons roost atop some. A rocket shatters one boulder,
sending its huge bird squawking into flight. Ahead materializes a ghetto of decrepit
buildings and smote cathedrals, their windows glassless, their walls grayed
with rot. Roadways rise, and on them the hordes chase him into the dark, hollow
town.
Horrors roam the
streets. Cassowaries walk nude, tattooed androgynes on leashes. Eyeless street
urchins hurl infectious hypodermics at a drunken leopard seal. Suavely dressed
bodies with Chattery Teeth heads talk indecipherable snap-snap-snap to ancient
hags in flapper garb— and the crones laugh.
The horde speeds along
in hot pursuit, covering the disheveled road behind him. Ululating, they roar
forth like floodwaters, and his knees begin to buckle.
“Son—of—a—bitch,
sonofabitch,” he wheezes.
The guy’s quivering,
his vision blotting with dark spots. He can’t keep this pace forever. The omnipresent
jazz frenzies: trombones whinny, honky-tonk pianos chop, saxes laugh,
percussion claps, vilely syncopating through the streets.
Spotting light in a cobwebbed
alley, he goes for it. After dashing the alley’s length, it opens into a
parking lot, and he stares dejectedly at the light source: the jagged,
spotlighted roof of an infernal discotheque swarmed by hedonistic phantasms.
Outside, frowning clown
bouncers eject a drunken Nazi who shouts, “Ihr Schweine! Ich bin Himmler,
verstanden? Himmler!”
The clowns reply,
“Yeah, yeah, Himmler, back a’da line!”
The guy hears the horde
storm past the alley and smiles manically, whispering, “YES! Homerun, BABY!”
He claps blue sand off his
hands and gets so far back in line that he can’t see the front. As he stands
there, trying to calm down, to remember why he smells so strongly of vodka cranberries, something
whispers, “Pssssst!”
He turns. A mousy man in
a plaid suit lurks behind a rickety fence cordoning off the discotheque’s rear.
The guy studies the man, gasping at the bloody brain spread like a toupee on his
head.
“Jesus—”
“No thanks,” the mousy man
says. “I’m fine, yaself?”
The guy, appreciating
the nature (or lack thereof) of his surroundings, shakes his head.
“No, I’m NOT— FINE! Okay,
I need help!”
“I’ll say. Who dressed ya,
some funny little flit?”
“No,” he hisses. “Now, I
need out of this place.”
“Back a’da line’s for schmucks.
Listen: I’m inda business—a gettin’ you—outta the spot you’re in.”
“Really? Awesome, then
get me out of here!”
The scalped man pushes
the fence open.
“Right dis way, chum.”
The guy checks for a
clear coast before following him to the
nightclub's back, a bland cinderblock wall with a solitary door. The mousy man leans beside
it and says, “Here’s your out.”
“That’s it? That easy?”
“What’d I tell ya? I’m
inda business!”
The guy stares at him, red
scalp to wriggling tail, before pushing his face against his palms, crying.
“Whoa!” says the mousy man.
“Wit da waterworks?”
“I—dunno— how I— got
here!”
“Ya didn’t wanna be at the
back a’da line’s how ya got here!”
“No, here! Here, this— FUCKED
UP PLACE!”
The man’s rodent nose cringes
as he tugs his coat and swings his tail.
“Pal, nobody does! That’s
da point.”
“I mean— I just— I
don’t—”
“Well—I know who I was.”
“Really?”
“Sure! See, cause I
like ta help people get places, and I ain’t gotta scalp, see dat?”
He slicks his hands
over his mutilated scalp.
“So before down here I figya
I was one’a them scalper types, see? Just gotta figyit out on y’own s’all.”
He pats the guy on the
back, getting him standing upright, and says, “So you gonna go true dis here door’a
what?”
The guy wipes his nose,
looks up, and nods.
“Yeah, sure.”
“Atta boy,” the mousy
man says, pushing open the door. “That’s da spirit!”
The threshold glows hot
red, so bright the guy holds a hand over his squinting eyes.
“I can’t believe I’m
in— hell.”
The mousy man takes a
step back and snickers.
“What’s funny?” the guy
asks.
“Hell?” laughs the
mouse man, slapping his knee. “What d’you mean ‘hell?’”
“That’s where we are! Right?”
The mousy man’s face is
redder than his raw scalp. He wipes his eyes.
“Kid, this is LIMBO. You
ain’t seen NOTHIN yet.”
The red doorway howls,
the jazz skewers into unrecognizable din. The guy clutches his shattered ear
drums.
Claws shoot from the man’s fingernails. He rips his suit off, skin with it, rearing up as a ten foot
tall Justinian rat.
The guy’s mouth works
wordlessly. The rat stares down with tumorous, black eyes, lunges, snaps the
apoplectic guy up with yellow chisel-shaped fangs, and leaps through the
shrieking red threshold.
The door slams behind
it.
In the empty alley, the
big band is again a simpering echo. Creatures slither to the discotheque in the
blasted town, itching to raise Hell.
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